“Robert Plant said, ‘We’re going to do Rock And Roll by Led Zeppelin.’ I said, ‘I’m not doing it – I don’t want to be in Jimmy Page’s graveyard!’” UK songwriting icon Richard Hawley talks big name jams, guitar shopping – and restoring Scott Walker’s Tele

Richard Hawley draws inspiration from many musical legends but has created a sound that is distinctly his own. On his latest album, In This City They Call You Love, he may have reached legendary status himself. Though he often references icons like Duane Eddy and Scott Walker, this album shows that Hawley’s work deserves to be mentioned alongside these greats.

Hawley’s humility keeps him from claiming such praise, but tracks like “I’ll Never Get Over You” evoke the spirit of Roy Orbison, and “Hear That Lonesome Whistle Blow” has the feel of a classic Eddie Cochran ballad. Despite the clear influences, Hawley makes the music his own, seamlessly blending the past with his unique style. His songs often explore themes of memory, pride, and love, tying together the threads of his life and experiences.

Sheffield, Hawley’s hometown, plays a central role in his music. The city has inspired several of his album titles, and his latest work was named after an overheard conversation where someone remarked, “In this city, everybody calls you love.”

Hawley believes that the best songs come from unexpected moments of inspiration rather than deliberate effort. He often finds creative ideas while doing simple tasks like walking his dogs, allowing his mind to wander freely. This relaxed approach seems to have paid off, as his new album is full of emotionally resonant songs.

A recurring theme in the album is the passage of time and how memories shape us. Hawley reflects on how music can help us accept our mortality while also preserving moments from the past. Songs like “Deep Water” touch on these themes, offering listeners a sense of comfort and understanding as they navigate life’s challenges.

Hawley’s love for vintage guitars is also evident in his work. He owns a cherished 1950 Gibson J-200, similar to one his father had to sell during tough times, and a 1954 Gretsch Country Club, which he used on the Jools Holland show and in a performance with Robert Plant and Imelda May.

His friendship with the late Scott Walker, a musical hero of Hawley’s, also influenced his latest album. Hawley recalls how Walker, known for his exacting standards, pushed him to his limits during recording sessions, teaching him valuable lessons about sound and production. Walker even left Hawley one of his guitars, which Hawley used to create some of the more experimental tracks on the album.

Overall, In This City They Call You Love showcases Hawley’s ability to honor the past while crafting something new and deeply personal. His music continues to evolve, offering listeners a powerful blend of nostalgia and originality.